Matthias Müller Movies

There's a reason why many consider Iggy Pop the godfather of punk - every single punk band of the past and present has either knowingly or...

Combining close-ups of redundant technology gleaned from 60s US sci-fi television series with a female voice of a 40s Hollywood melodrama, Manual...

The film creates a melodrama inside seemingly claustrophobic mirrored cabinets. Like an anonymous viewer, the mirror observes scenes of intimacy. It...

Promises is based on a selection of sixteen prints from a collection of vintage wedding photographs. The video pulses violently from one bouquet of...

A man faces his approaching death. He takes a journey, his last perhaps, and ends up at the Pensão Globo in Lisbon, where he sets out on...

Nostalgic excerpts of fiction, fairytales and vintage science fiction from a child’s room to way out into the galaxy.

Brasília, the "city of hope", "the ultimate utopia of the 20th century" , is being conserved as a cultural heritage today. It is a place as...

Matthias Müller's SLEEPY HAVEN is explicitly taking up the spirit of Kenneth Anger's FIREWORKS. SLEEPY HAVEN materializes fantasies of an erotic...

"With their montage of found footage of audiences, Müller and Girardet shape a captivating dramatic arc. It contains condensed suspense with...

BEACON is a montage of location shots filmed at ten different places around the world. These sites are connected by the fact that each is located by...

Muller/Girardet short

A woman, a man, guests at an evening party. Settings, which are gradually abandoned; the remains of an event, gazes that have lost their object.

For a young boy, ordinary facts and things of daily life seem to have great importance.

Composed of densely atmospheric and highly stylized recycled commercial footage of young, picture perfect models pleasurably applying personal...

2004 short by Muller

This one is a collage of Hollywood melodramas of the 1950s and 1960s, filmed directly from the television set. The constantly recurring motifs of...

The film comprises edited excerpts from 40 Hitchcock films in six chapters, each focusing on a different motif that reveals some of Hitchcock’s...

This is somebody, nobody, anyone. This is us in the course of time. Persistently, in vain. The self is the need for permanent self-assertion.

About blind people in Hollywood films